Using self-made technology, we then attempt to convey through performances the elements included as separate acts in weaving on the warp-weighted loom of antiquity. Labelling this mode of ordering as microperformativity, one implication is that reflective decision-making, non-propositional knowledge and material agency all have a bearing on how in weaving threads perform together with the algorithm employed by the weaver, who needs to make decisions on repeats and recursion to generate a coherent whole. 'Strophe' and 'antistrophe' are ways of referring to the metrical or rhythmical pattern of a text which was originally sung. The mode of knowing specific to weaving is a liminal notion at the intersection of technology, knowledge, and embodied practice. The production of textile patterns incorporates the organization of elements into wholes in a way that is logical and algorithmic yet still unsuited to be laid down in writing. This pre-scientific ‘knowledge through order’ that weaving affords is in turn embedded in a performance culture where notions like kosmos and poikilia refer to woven fabrics, performances of song-and-dance, patterns in nature and in craft. In archaic Greek literary and philosophical sources, weaving is cast as a technology capable of imposing order, creating complex structure, and providing a model for cosmic generation.
2014 NOTES AND QUERIES 21 canzone, Petrarch himself is visited by the a letter dated September 1786, the same month heavenly spirit of Laura.
One passage that demonstrates the use of this concept is a passage from lines 331 to 351,where the use of strophes and antistrophes is presented for the second time. Throughout Antigone, Sophocles utilizes strophes and antistrophes, dividing the narrative of the play. Jones follows Gray’s rhyme scheme (London, 1768), 43. Strophe and Antistrophe are two major elements of the ode, a type of lyric poetry. Study assignment I will be exploring the concept of strophes.
STROPHES AND ANTISTROPHES HOW TO
What does an ancient weaver know, when she knows how to weave? How is this complex knowledge graspable and representable? The article presents the research practice of the PENELOPE project as it sets to explore the distinctive logic and order of ancient weaving − an inferential dimension embedded in the material and thus mainly implicit, which is best grasped through performing and which we address here as microperformative. (‘In climes beyond strophes and antistrophes of ‘The Progress of the solar road’), in Poems by Mr.
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